Nicola Welnerová

Pokaždé, když vcházejí na válečné pole, vkládají mezinárodní poradci z Afghánistánu své životy do rukou rumunských vojáků, kteří jim zajišťují ochranu.

The play Why the Kitchen? by Austrian playwright Peter Handke feels like a stream of memories, thoughts, quotations, observations, and poetic images.

The originally Tibetan technique of yangtig, in which sojourn in complete darkness is supposed to function as preparation for death, has become “popular phenomenon” today.

This authentic and lively play about teenagers grabs the listener´s attention mainly through its approach to storytelling.

Madam Lemarchand needs a maid and a babysitter. That will be Hilda. But she also wants Hilda´s friendship, access to her entire life, and an illusion of equality.

An unusual tale about encountering death.

It´s a play about how an ordinary, conforming individual, who loves his family becomes a monster capable of destroying even those closest to him without batting an eye.

Where did we want to be, and where did we end up? A meeting of boys from the street: a personal and social inventory of the last 30 years.

With only a slight amount of hyperbole, one could say that his barbershop is the city of Brno´s favourite confessional.

A sound collage about Prague´s cobblestones with two basic levels: the educational one and the performative one.